Wednesday, December 08, 2004
Recorders! Strings!
Triadelphia SDA Church invites all interested violin, viola, cello and string bass players to join in for two hymns just before the 11 o'clock service December 18. The hymns will be #125 and #132 in the Adventist Hymnal.
The church is at
12950 Brighton Dam Rd
Clarksville, MD 21029-1411
For more information, send an e-mail to jdashton@ashtonfam.org.
Friday, November 19, 2004
Hymns for November 20
- 86 - How Great Thou Art
- 616 - Soldiers of Christ Arise.
- 615 - Rise Up, O Church of God
- 377 - Go Forth, Go Forth With Christ
Oops! My bad
Sunday, November 14, 2004
Calling All String Players
We have two opportunities to do "a little something" together. Here's what we have:
- A family at our church owns a collection of violins. They would like to present a vespers recital in which many different violinists play solos and ensembles using the violins in this collection. I have access to pieces like Eine Kleine, the Pachelbel Canon, the Corelli Christmas Concerto, and the Brook Green Suite. Please let me know whether or not you would be willing to help with an event like this, playing a solo and/or being part of an ensemble. We need violas, cellos and basses for the ensemble numbers, too. If you're willing to play, when? The family was hoping for a Friday or Sabbath evening in November, but I realize that we will have difficulty pulling this off in two weeks. Could you do November? Or perhaps January or February?
- A concert is being planned for December 4, at Triadelphia SDA, at 7 in the evening. Would you like to throw together the Corelli Christmas Concerto for that event? Plans change: see this posting for a little more info.
Thanks!
Practice update
How about you?
My brass practice time I spent playing with the Canadian Brass Advanced Quintets book and CD. This makes for an intense work-out for my lip, as there are no significant breaks between pieces. I highly recommend this as a fall-back activity, for those days when you can't get yourself to drag out the music we're learning. Just three or four pieces with this CD, daily, would make a huge difference in your endurance and tone. Try it!
Wednesday, November 03, 2004
One more time
Brass Rehearsals
- Monday evenings at six o'clock (6:00 PM) at Triadelphia SDA
I'm delighted to have Corey back in our ranks, and in honor of his return I ordered a handful of pieces for six trombones. Please remember to look around for brass music that interests you.
See you tonight!
Tuesday, November 02, 2004
Brass: Call for Repertoire
Thanks!
Monday, November 01, 2004
Brass Rehearsal Tonight & Personal Practice 11.01
Oh yeah, comment here if you squeeze in practice before or after rehearsal today, Monday, November 1.
Sunday, October 31, 2004
Friday, October 29, 2004
Brass Practice for October 31 - November 6
Practice schedule discussion was incomplete for future weeks (among the difficulties prominent in my memory: Wes has meetings the second and third Mondays of each month) but for this week, with our upcoming performance for church, we agreed to meet Monday night with a good chance of also meeting Wednesday and/or later in the week.
I'm wondering, for future weeks, whether the meetings and our rehearsal could be dovetailed, with our practice session beginning an hour before the meeting, perhaps?
Thursday, October 28, 2004
Wednesday, October 27, 2004
Brass for church 11/6
Call to Worship: | Es ist genug - Bach |
Offertory: | Augsburg Hymn - Kugelmann |
Special: | Amazing Grace - Wagner |
Postlude: | Little Fugue - Bach |
I'm assuming (could someone find out for sure?) that we won't be playing for Sabbath School.
Let me know what you think: are we up to this? Should we do less? more? other pieces?
Monday, October 25, 2004
Personal Practice 10.25
Rehearsals moving to Monday evening
This is the week in which David's class switches to Wednesday evening, such that our brass practice needs to switch to a different night. Sunday and Monday nights are options. What can we do for this week? Can we actually get ourselves together tonight?
update 9:30 PM
Given the overwhelming(ly silent) response, and our upcoming performance November 6, I think we'd best be planning to rehearse this Wednesday evening. See you then.
David, we play in two weeks. Um, is there any way you could, um . . . ?
Wednesday, October 20, 2004
Who wants to do a vespers?
Tuesday, October 19, 2004
Brass @ Triadelphia 11/6
Because this is Family Sabbath, we may not be needed to play for Sabbath School.
Thanks!
Friday, October 15, 2004
Gone Oct. 30
I shouldn't be confused, since I've got a copy of the music schedule. It might be helpful to keep our upcoming schedule in the "Dates" area of the blog, for a reality check. Really, though, I'm just confused in general lately. :-)
Wednesday, October 13, 2004
Music Retreat 2005
What would such a vacation be like? I can imagine string ensembles, if we bring the right people, but we may not have access to a piano. I think we could read recorder or flute ensemble music pretty much anywhere. I'm not sure whether the property is sufficiently sound-proof to politely manage brass ensembles.
What are some things we would need? Repertoire is the show-stopper we face here or anywhere, specifically having a good match between players and parts. Nice chairs and music stands would help.
What extra-curricular activities would we want to plan? I have some info on cruises, including whale-watching. There's a state park nearby perfect for Laser/Sunfish sailing, and we watched people kite-boarding. (Looks awesome!) The boardwalk and beach are a very short walk away, and it was nice to have our bikes along.
Who and what instruments (beyond the current members of this weblog team) should we try hard to include? (e.g. I'd like to make sure Jeremy is there for recorder sessions, Ellen for violin/viola, Anastasia as an additional cello)
Brass Practice tonight
Friday, September 17, 2004
Birthday Plans
For where, I suggest Romano's Macaroni Grill in Gaithersburg. Romano's menu offers six vegetarian entrées, according to our recent count, as well as a handful of vegetarian appetizers. If we're there early enough in the evening, perhaps 5:30 or 6:00, we should be able to quickly get a table in the quieter section of the restaurant.
Regarding when, I think we must decide on what works best for the most people. My b-day is the 24th of this month, but that's Friday (a busy night for restaurants) and Corey will not be experiencing perfect dental comfort. So I think we must choose an evening a few days later.
I know that Tuesday evening is tied up for at least four of us. I would be willing to see our brass rehearsal time exchanged for this event, if people would find Wednesday to work well for the most people. Or we could look at Monday or Thursday.
So, please reply here: let me know what evening after the 24th sounds like a good fit for your plans, and also let me know whether you could be in Gaithersburg as early as 5:30 on that evening. Please remind us, too, if your birthday falls in this time period, so we'll know we're celebrating for you as well. (Jamey? Others?)
Thanks!
Saturday, September 04, 2004
ALL BRASS AT 11: Details Below
All brass players are invited to play with the hymns next Sabbath, September 11, at Triadelphia SDA. The hymns will be 1, 17, 25 and TBD.
Know a brass player? Spread the word!
PS. I think I should save De De the trouble of stating that we should soon have a woodwinds-welcome Sabbath.
Thursday, September 02, 2004
TriBrass Rehearsals Move to Wednesdays
To clarify: our next rehearsal (as of the time of posting this blog entry) is Wednesday evening, September 8. Brass players, family and friends, I'll see you there!
Personal Update
I've recently added to my weblog a list of other weblogs that I follow, including Corey's Life, The Universe, & Everything. See the bottom of my weblog's left-hand sidebar. If/when you have a weblog or website, let me know: I'll be there, reading what you write.
Monday, August 30, 2004
Sept 4, Sept 10, Sept 11
This might also be a good time for Jamey, David and I to play a cello-cello-bass trio. We'll bring instruments to practice Tuesday evening. If anyone wants to call and invite others (Becky? Carla? Christina? others?) please do so. We've already talked with the Possingers about having Leo H. practice and play with us. Jamey fired off an e-mail to Enno, but a follow-up call may be in order.
For September 10: Don Crane asked us to play something at Elternhaus. I suggested filling the program with a very long song service, and that seemed acceptable. David, if you'd like, perhaps we could throw in Meditation or Adoration or some such.
For September 11: Ekkehardt mentioned that he's planning to have Ryan and trumpet on hand for special music, and asked if the lower brass would join in for the hymns.
Sunday, August 15, 2004
Brass Sept. 25 - Triadelphia
September 25: Brass is playing with all the Hymns.
Strings Sept. 4 - Triadelphia
September 4: Offertory and Special Music with all the strings. They can just play the favorite Hymns that were played on August 14.
Saturday, August 07, 2004
Wednesday, August 04, 2004
Potluck this week
Real-Estate Dreams
As a few of you heard last night, we bid on a townhouse near the Maydens' home. You can get a bit more info from these two posts in my weblog:
Tuesday, August 03, 2004
TriBrass Practice Tonight
Wes, David and Jason: Let's plan to meet as usual: 6:45 call time at the Triadelphia SDA church. I have two new numbers for us to look at, too.
Corey, one of the new numbers is for bass (vocal) solo with brass and organ. It's by Schütz, and in Latin. The part looks difficult, but I'd like to hear you sing it if you're interested in the challenge. Stop by rehearsal this evening to look at it with us.
Monday, July 26, 2004
CMW: How to keep it going?
Are we essentially relegated to one CMW each year? Are there things we can do locally to encourage, precipitate even, chamber music through-out the year?
What are we going to need to make it happen? We have the Trout piano quintet, we have some Haydn string quartets, and a few Mozart piano quartets. Are these enough to start bringing people together? Can anyone get serious about buying string and flute music? Can we find another strong violinist? Geri, which string instrument will you learn first?
Should we start planning a recital? If we do, will we feel awkward about playing together Sabbath afternoons?
Thursday, July 08, 2004
Fun for the day
Also, I saw this license plate this morning on a new Infiniti FX SUV:
NBEYND
Wednesday, July 07, 2004
William's Birthday: Thanks!
Sunday, July 04, 2004
William's Birthday
Thursday, July 01, 2004
A Sabbath Proposal (aka Chamber Music revisited)
Come one, come all; join at any time
Itinerary:- Church at Triadelphia; highlights include specials by Daniel Ashton
- Potluck picnic at the capitol; suggestions on location include the reflecting pool, Roosevelt memorial, Capitol building steps
- Afternoon visit to various Smithsonian areas.
- Supper at the Ashtons (ask them how you might contribute)
- Chamber music following supper, including the ever-popular Trout
- Strawberry shortcake - Greenes
- Sandwiches - each bring enough to share
- Chips - each bring enough to share
- Fruit and other picnic-friendly items - welcome
- Water - each to his own
Special guest: Sherilyn Johnson, my mother
[Daniel adds the following:]
Supper is likely to be Pakistani Curry. If, for any reason, this would discourage you from joining us, please speak up quickly! We would far rather enjoy your company.
Please bring your parts for the Hummel Septet, as I want to have them in hand before leaving for CMW. I believe that means flute and horn parts from the Maydens, and piano and viola parts from the Greenes.
Dooley is welcome.
Also, I really enjoyed the recorder trios, etc. that we played last time. I hope we get to do more music like that.
Tuesday, June 29, 2004
Chamber Music Sabbath Afternoon
Also, please think of who else we can invite ahead of time.
Monday, June 28, 2004
Christy-Party!
Thursday, June 17, 2004
Standing Order for Veggie-Meat
Chamber Music Sabbath Afternoon
This looks like a good week for chamber music after potluck. Are you interested? Bring instruments and music, and lets see what happens!
For those who have Trout or Hummel Septet recordings, listen up! It really helps to know what the music sounds like.
Wednesday, June 16, 2004
Brass with Greene/Ronning/White families
Wednesday, June 09, 2004
TriLowBrass Update
V., V., all is V.
MUSIC VAN
[I've thought for a long time that I should have MUSIC MAN as my plates, but maybe this represents a little less hubris.]
The problem, of course, is that MUSIC VAN has nine characters, and Maryland plates have room for only seven. What do to? Here are some of the possible permutations:
- MUSICVN
- MUSCVAN
- MSICVAN
- MSC VN
Holla back now!
Monday, June 07, 2004
Rehearsal Tonight
We're playing this Sabbath at the Spanish church south of the GC. See this post for details.
Wednesday, June 02, 2004
May Not Rent
[We'll post pix later; right now we're exhausted after a long day at the dealership.]
Tuesday, June 01, 2004
Bounced E-Mail Update
As mentioned in this post, some people would receive a rejected e-mail after they posted to this weblog. As it turns out, one of my upstream providers was doing spam filtering, and decided to reject any e-mails from the following domains unless delivered by a machine actually in that domain.
- aol.com
- hotmail.com
- lycos.com
- msn.com
- yahoo.com
- yahoo.com.hk
- yahoo.com.tw
Because the messages were being sent from Blogger.com instead of from your actual e-mail server, they were being rejected.
I've asked to have Blogger.com added to the whitelist, and it appears that this has solved the problem. If you get a bounced e-mail when you post here, please tell me.
Stan/Gen Wedding: What Hertz Would Cost
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Rehearsal Tonight
Corey, could you confirm what slots we'll need to fill? We also need directions.
Monday, May 31, 2004
Wedding travel
Chamber Music Weekend
Also, Geri is going, and is looking for a ride. If you're driving down Tuesday July 13 or Wednesday July 14, please post here so we can get things worked out.
Travel to C'dale this weekend
We need to clarify plans for traveling to Collegedale for Stan and Gen's nuptials. Here's one way things could work out for the Ashton family:
- Drive to Collegedale Friday night/Sabbath, leaving sometime late Friday afternoon or evening, trying to arrive before 6:00 PM.
- Drive back Sunday night, leaving shortly after the wedding, trying to arrive before the workday begins.
We're pretty flexible with the scheduling. It's not inconceivable that I could take a vacation day Friday or Monday if needs be.
We've talked about renting a larger vehicle so that we can carpool with more people in either or both directions. David? Jamey? D2? Others?
Post responses here and tell what schedule or plan works best for you.
Friday, May 28, 2004
Monday, May 24, 2004
Practice update
Wednesday, May 19, 2004
Tuesday, May 18, 2004
Misc Weblog Fundamentals
Picture in your profile: If you want to display a picture in your profile, that picture needs a home on the web. I'm happy to host your picture. E-mail the picture to me, and I'll send back the URL you need to add to your profile.
RSS: RSS feeds are available for this weblog. If your reader can understand Atom XML, use http://mdmusic.blogspot.com/atom.xml. Otherwise use http://feeds.feedburner.com/MarylandMusic. Someday I'll get around to modifying the template with the appropriate little XML buttons.
RSS Readers: You've got a ton of options. For Mac OS X, try NetNewsWire. For a web-based reader, try Bloglines. (That's what I'm using for now.)
Monday, May 17, 2004
TriLowBrass Rehearsal at the Church 5-18-04
Let's plan for rehearsal at Triadelphia SDA this week. Arrive at 6:45, set up, warm up, start practicing at 7:00. Corey is very probably not playing with us this coming Sabbath, so I'll bring my tuba. We can do most of the hymn arrangements with only four players.
And everyone lift up a brief prayer for Corey's swift recovery: it's no fun to have teeth pulled.
Monday, May 10, 2004
Chamber Music Concept
Prepare a small auditorium that comfortably stages about eight string players and a concert grand, a stage smaller than Ackerman. Prepare very informal seating arrangements, perhaps in a steep amphitheatre style. Offer weekly (or nightly?) non-concerts, events to which the public is invited, (advertisements?) but it's understood that the musicians are not strictly performing. They may stop and restart a movement, for example. The audience should be comfortable bringing books or laptops or other quiet occupations, and are free to enter and exit as needed, i.e. concert protocol need not apply. In some cases the players might start with a more difficult work, and finish with something more approachable, for which more players could sit in.I have a strong visualization of how the hall should look. I think the concept ties strongly to the Octet reading at CMW Saturday night. I think some of the motivation is that so many people seem to appreciate the music we make, and we appreciate a live audience. As word of the event got out, more players could join.
Brass rehearsal @ Müller's this week
Washington Symphonic Brass Concert May 12, 16 & 23
Valor Brass Quintet Concert Tonight
The Lyceum - Old Town Alexandria
Valor Brass - Mike Mergen, Chris Smith - trpts.; Hillary Hart, horn; Chris Clark, trombone; Chris Tiedeman, tuba
Brass Quintet recital: music by Bozza, Plog, Ewald, Debussy, plus some other goodies....
The Lyceum is located at 201 S. Washington (GW Parkway) St. in Alexandria, a couple of blocks south of King Street on the West side of the street.
Friday, May 07, 2004
A What!?!
But I've been trying to shake the analogy, and it hasn't been easy. Is music an addiction for me? Do I selfishly pursue it? If so, should I go into rehab? Quit cold turkey?
These are certainly different terms than I normally use to describe the activities that keep me busy and happy.
I write in the first person, but I suppose these questions could be asked by any of us. Are we developing and using God's gifts according to His will? Can we exploit this gift of music more effectively? When does it become selfish? or a habit? or an addiction?
Chamber Music Sabbath Afternoon
Recorders would be a lot of fun, but we'll need to be sure that Geri is present and brings a wad of music with her. Anyone with a telephone want to work on this?
CMWs: I'm not ready to make these happen yet. These events take a huge effort, and with my networking track record, I'm in doubt about getting enough good players together here to make it work. And I'm not crazy about the facilities at CUC. I need to hear more from this community: more ideas, more people, etc.
Soldering: I think it should be do-able. The trick would be to fill the lead pipe with something to keep the solder from collecting inside: perhaps cork, or tape, or something else. It might be valuable to visit a repair shop and ask how they do it. Be sure to ask about the solder/lacquer interaction. I'm wondering how a hole like that is formed anyway.
Networking: Keep your heart open to opportunities to recruit players into our ensembles. We don't need to drag in unwilling parties, or coerce anyone, but when you find someone like Wes (kudos, Wes) who will show up on a regular basis and put some effort and outside practice into it, listen for the Spirit's guidance.
A+ Tuba
Thursday, May 06, 2004
Wednesday, May 05, 2004
Piano Quintet & Septet this Sabbath
What time? Where? I'm thinking two o'clock-ish in the sanctuary at Triadelphia SDA. What do you think?
Corinth
How has it been practicing at the warehouse?
We'll need to choose dates to offer to the Spanish church. Suggestions, anyone?
July 17 is in the middle of CMW in Collegedale, but we may be willing to try Linthicum on a different weekend.
I've sent an invitation to both of Paul's addresses.
SAA Band Helpers
May 15 | May 29 | |
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Let me know if plans change.
More CMW's
How can we gauge the level of enthusiasm for these ideas? When will we know it's reached critical mass? I think there's a lot of merit to each idea. Jeremy is aware of the concept, and supportive.
Tuesday, May 04, 2004
Brass Practice tonight @ Müller's
We have opportunity to play 2 - 5 numbers on May 22 at Triadelphia, so we need to figure out what we're doing. We can also run through the SAA band music for May 15.
Monday, May 03, 2004
Calling all Trout
Trout Piano Quintet | Hummel Piano Septet | |
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Friday, April 30, 2004
Weekend Plans
- Ashton Family: Sabbath afternoon is taken starting around 3:30, as Danny has to head to HVA to play in a brass quintet there, which should wrap up around 6:30.
Thursday, April 29, 2004
May 29/June 26
By the way, June 26 is the day that my brass-playing family (x6) is coming from out of town and playing at Triadelphia (perhaps, in part, the very lack of brass helpers that is being referenced). We've been hoping to combine with the Triadelphia brass for a couple of numbers, and my uncle should be sending some music along in a few days for that purpose.
Brass w/ Band May 29?
The Academy band is trying to put together a couple of pieces for Senior Graduation Sabbath at Spencerville. My brass helpers aren’t able to come that day. Would your group be available to play with us May 29 at the main worship service at Spencerville? Let me know ASAP as I will have to order music according to the instrumentation we will have.
Please reply to me here or by e-mail so I can tell her how many of us to expect.
Monday, April 26, 2004
Thanks for Sore Fingertips
Vicki and I decided to attend the Sunday afternoon performance of The King & I at Spencerville Adventist Academy. Although we both have reservations about encouraging academy and elementary kids to focus so much time and energy on Broadway musicals, we decided to see one show in support of Jamey and De De, who were both in the "pit" orchestra. When I'm playing, it means a lot to me to see friends in the audience, and that's why we wanted to be there for the Maydens.
But that's not how things worked out. Before the show we chatted with the orchestra players and with pianist/conductor Jan Wall. Jan pointed out that she had several empty chairs and said she could use my help. The only spare instrument to be found was the string bass, so I jumped in to cover that part. After a number or two (as my right-hand fingertips were beginning to blister from pizz'ing) Lester Roach, the bassist, arrived and took over. I slid into the empty chair next to Jamey, waiting for a good break in the play so I could rejoin my family.
Well, I quickly found myself watching Jamey's music, and soon I was counting along and turning pages for him. After a few numbers it was time for him to switch from 'cello (which he was covering in the (complete) absence of the hired 'cellist) to horn, and he handed the 'cello and music to me. Um, what's a guy to do? Jamey let me continue playing his 'cello through the remainder of the play, and again during the second show.
It's very hard to describe the experience: I'm getting an adrenaline rush just trying. As far as I can remember, I'd previously performed only one number as a 'cellist: some number by Pachelbel. But I was able to figure out roughly where my fingers should go, and my violin/viola/bass experience helped me get the bow pressure about right, at least when I remembered to keep the bow off the bridge. For me that afternoon and evening provided several hours of "rush," equal to anything I've heard about skiing or surfing. That was, to me, perfect entertainment.
Jamey, I know that you were relishing your own opportunity to garner experience with your new instrument. You unselfishly gave that up, and it meant the world to me. My left-hand fingertips are sore today, from pressing 'cello strings, and it's the best feeling. Thank you!
A big thank you also to Vicki, William and Beth who put up with the drastically altered schedule and delayed supper so I could be at the second show. I love you!
Practice 4/27 at Triadelphia
6:45 call time,
7:00 rehearsal.
To clarify: both David and Corey are missing tonight. However, we have May 15 band music to review, Wes and Jamey, so let's get together anyway.
Another CMW, May 14 - 16
Please post back here if you get in touch with these people. It looks like a fun weekend, although I'm not certain how well it will fit with our perception of Sabbath. Also, someone remind me if we have commitments here that day. Is that when the Greene Party is in town?
Ah, I see, that's when the SAA Band is playing at Triadelphia. Hmm. . . . taken together with traveling expense and hassle, that may tip the balance in favor of staying here. Still, . . . it looks like a heap of fun!
Take your mouthpiece!
Find and buy a BERP to help you out. Try Woodwind and Brasswind or your local music centre.
More practice: dhg
Saturday, April 24, 2004
Thank you
Friday, April 23, 2004
Practice Report: jda
Der Chor Frequency
- How often would Der Chor perform per month?
- The more churches we represent (i.e. we have core members from those churches) the more places we'll have an obvious reason to sing. Bluntly: I don't know. It depends on what the core members are willing and eager to do. I'd like to see the program grow large enough to handle two or more churches on the same Sabbath. As a place to start, I feel like we should aim to have 16 singers at each gig, and hope to have 32 on the roster, so not everyone is required at every opportunity.
Brass with Band May 15
Weekend Plans - Ashton Family
- Sabbath morning, Washington Community Brass are at Spencerville
- Sabbath afternoon (tentative), bicycling with Sharon, possibly at Rock Creek Park
- Sunday afternoon (tentative), 4:00 PM Sligo Atrium, Senior Recital of Dan Hall, euphonium and trombone player, musician extraordinaire, a.k.a. The Black Mozart
Jamey, what's left for King-n-I performances?
Witnessed
Male Chorus: I'm not averse to the idea, although I'm cautious, given who's choosing the repertoire. (There's that R word again.) If it's all as good as Tschesnokoff, I'm with you all the way.
Brass: One thing that would make me happier is a better fit between our players and our parts. Guys, please take some time to search for music sources and find out what we can buy that fits our five players. I'll give you two stores to start with: Robert King Music and Hickey's Music Online. If we had one more trumpet player we could get into some standard brass quintet music.
Summer Music Options
Brass break? There are times when it seems difficult to face another rehearsal. But I'm feeling (like Corey) encouraged with where we see ourselves going. I'm not sure we're organized, yet, or that we have the right repertoire. But my feeling is that we're just getting rolling, so a break now would be detrimental.
Recorders? Given De De and Jamey's recent acquisitions, we need to pursue some basic recorder ensemble opportunities; perhaps something like the afternoon of Corey and Christy's wedding. Just get together and play and play . . . Repertoire is the tricky bit, and I'm hoping Geri proves to have a large supply.
Strings? Same thing, basically. We're short staffed, somewhat: we need another violin or viola who can manage to read music as well as Jamey can. (Kudos, Jamey: your cello playing is showing excellent progress. It's obvious that you're not having to learn music as you learn technique. Very impressive!) Repertoire is, again, a potential roadblock. I have some Haydn quartets, but not much else. Personally, I'm not crazy about music with fewer than four parts. Five is better, etc. But it's better to play a duet than to miss a chance to play chamber music!
We need more music that calls for strings and chic flutes. (Hi Jamie!)
Impromptu chamber music? Call me! My number is . . .
Practice Report: Step by step
Wednesday night was, for me, a wash for practicing: we sat at the local CompUSA for about 2 hours waiting to get Vicki's Mac laptop swapped out.
Tonight I had a 90-minute (about) rehearsal with WCB, playing mostly tuba. I did get to play trombone on one Gabrielli: Canzon Primi Toni, or something like, I think. It was high: it started on high F and stayed there much more than I liked. I got little reaction from the guys, so I'm not sure how well I did.
Der Chor Concepts
- What sort of music would Der Chor sing? Would it be standard fair or high church?
- You can get a feel for the kind of repertoire I like by looking at what I selected for the church service last October 25. Those pages are still online here and here.
- What sort of denominations of churches, if any, are in mind?
- Well, it's not the denomination that's as interesting as the motivated singers. Given the people involved in this discussion today, we'd be focused on Sabbath morning SDA services. As our core choir began to have members from other denominations, if their home churches wanted the music we offered, we should be willing to sing for them.
- What would the frequency of guest spots be for Der Chor?
- I'm picturing a core Chor of perhaps 32 people, with hopes that about half of those people would be able to show up for any given gig. Suppose we had a chance to sing at Triadelphia. We would arrange to rehearse with interested singers at their church once or twice before that Sabbath. Because we would already know our music cold, those rehearsals would be very beneficial as we could interleave the local "guests" into our own ranks. The purpose of this choir is not to build a reputation as a solo ensemble, (oxymoron?) but to provide the foundation, the core, so that every constituent church could feel as if it had its own church choir.
- What would a typical service look like that included Der Chor?
- A typical service would look like any other service with a standard, in-house choir. I'd expect us to sing an introit, prayer responses, anthem and benediction, or something like that.
- Would there be a collection of appropriate responses?
- The SDA hymnal has a surprisingly useful collection of responses. However, additonal response collections are available on the market.
- Would this be purely vocal or a musical combo?
- I'm picturing this as a vocal core ensemble, actually incomplete (too small) without local singers. It might help to have a couple of organists on staff, for rehearsals and in case the local church organist was not available.
Thursday, April 22, 2004
Practice Report: First steps
Wednesday, April 21, 2004
Was ist Der Chor?
Der Chor would run one or two rehearsals at each church during the week or two previous to singing there, giving the local church members a chance to join up and sing with a "big choir" in their own church. Der Chor would provide the core people, skills and knowledge of the repertoire.
I like the name because it's a play on the homonyms core and Chor (German for Choir).
What is Something Else?
Kudos and Question
Since rehearsal was last night I'm as yet unable to brag about practice time, but I do have a question.
What's happening musically this summer in our community? The Baroque Consort will of course be taking a break, as it is tied to the school schedule and Geri is most likely going on furlough. How about the brass? My hope is that we don't break. Does anyone in the Baroque Consort want to get something together during the summer months? Do we need a goal for the choir this quarter? Is there a time we just want to invite our out-of-town friends and have a musical jam session?
How does it work?
Each of us can write and publish entries here. Entries appear with the newest at the top. (This one is the third that I've written.) We each have the ability to go back and change what we've written after it's published.
When you get to the blogger.com home page, you'll find our blog, Maryland Music, listed on the right. As soon as you click on that link you'll be looking at the form you use to write and publish.
To read what's been published, hit the View Blog button, or open a browser directly to MDMusic.blogspot.com.
My suggestion: Bookmark this page. Check it every so often. Read down until you hit old material. (Look that over briefly, because it may have been edited since you last read it.) Then scroll to the bottom and click the "Powered by Blogger" link, which will bring you to the forms for logging in and adding your own commentary.
I'm still trying to figure out the RSS options. I'll post a new article when I understand more.
Tuesday, April 20, 2004
Initial members
The people I've invited at first include the members of Triadelphia Low Brass and their spice, and the adult members of Geri's Baroque Consort. Let me know as we discover other people who should be involved in this discussion.